From the very first page, the scene is set: colored by a red plastic film, the torso is bare, the mustache groomed, the body posed, lascivious. A police cap firmly on his head, the man’s eyes remain in the shadows, unfathomable. Zoomed in to the poin...

Lou Tsatsas
Lou Tsatsas studied languages, history and political science before turning to the art world. After a brief stint in New York, where she worked with various designers, she returned to France and began her journalistic career at Arts in the City. In 2018, she joined the Fisheye Magazine team, becoming its web editor in 2022. She also signed the foreword to Momo Okabe's Sub #02 Ilmatar, an immersive carte blanche into the photographer's world. Today, as a freelance journalist, she collaborates with several media: Blind, Fisheye, Mouche, keeping her favorite themes at heart: emerging art and photography, the visibility of minorities, feminist commitment.