A CLEAR VIEW OF THE WORLD

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Jason Hendardy: Signs of Control

By Jason Hendardy November 17, 2024

Reality and Mysticism

By Dylan Hausthor November 17, 2024

© Guy Bourdin

Shoes, Sex & Surrealism: Guy Bourdin’s Legendary 1970s Fashion Photography

By Miss Rosen November 13, 2024

The Unsung Queens Of Country Life

By Alexis Vettoretti November 12, 2024

Bending Light : The Moods of Color © Eric Meola

Eric Meola’s Moods of Color

By Max Hirshfeld November 12, 2024

Claudia Andujar, A Sônia, 1971 – Courtesy Vermelho

Opening of the 27th Edition of Paris Photo

By Jonas Cuénin November 6, 2024

Camera Obscura: Reality Is Not Enough

By Camera Obscura November 6, 2024

Equinox Gallery : Complementary Tones

By Equinox Gallery November 6, 2024

Rubis Mécénat Hors les Murs · © Sibusiso Bheka, Sfiso Jodwana, 2020

A Photographic Journey through Saint-Germain-des-Prés

By Sophie Bernard November 5, 2024

Eulàlia Grau: Society’s Cut-Outs

By Eulàlia Grau November 1, 2024

An Attempt to Erase Women

By Kiana Hayeri November 1, 2024

© Jürgen Hill

Jürgen Hill: Worlds of Fog

By Ela Kotkowska November 1, 2024

Gael Bonnefon, Sans titre, de la série Elegy for the mundane (extrait du projet About decline), 2010, collection les Abattoirs, Musée – Frac Occitanie Toulouse © Adagp, Paris, 2024 © photo courtesy de l’artiste Jochen

“Open your eyes” in Toulouse

By Jonas Cuénin October 31, 2024

Action Against Hunger Announces the Recipient of the Second Edition of its Grant

By Blind Magazine October 30, 2024

Ken Light: Tijuana – San Diego

By Ken Light October 28, 2024

Youth, Beauty and Air Raids

By Vic Bakin October 28, 2024

Women’s Rights at Risk in Afghanistan

By Copélia Mainardi October 28, 2024

DeWitt Clinton High School, Bronx, 1972 © Ken Light / Contact Press images

Three Decades of American Stories by Ken Light

By Robert E. Gerhardt October 28, 2024

Would Like to Exchange Cards with You, Souvenirs Preferred, 2002 © Robert Frank, 2024 The June Leaf and Robert Frank Foundation

Robert Frank: Life Goes On

By Guénola Pellen October 23, 2024

“White Boy Pete” and Guillermo, circa 1983 © Ricky Flores

A South Bronx Family Album

By Robert E. Gerhardt October 21, 2024

Mitch Epstein: Nature and Power

By Mitch Epstein October 21, 2024

Forces of Change

By Bristol Photo Festival October 19, 2024

The Limo, 2006 © Tina Barney

Celebrating Chantal Akerman and Tina Barney at Jeu de Paume’s 20th Anniversary

By Copélia Mainardi October 16, 2024

An Immersion in Daido Moriyama’s Tokyo

By Robert E. Gerhardt October 14, 2024

Michael Ormerod: Roads to Nowhere

By Michael Ormerod October 13, 2024

The Space Within

By Robert Koch Gallery October 12, 2024

Nan Goldin: From the Profane to the Sacred

By Guénola Pellen October 8, 2024

© Alice Bibette

Omar and Raheema’s Battle Against Precariousness and Hunger in France

By Blind Magazine October 8, 2024

Ruth Lauer Manenti: Echoes After Death

By Ruth Lauer Manenti October 7, 2024

This Road Must Lead Somewhere, Maybe

By Christian Caujolle October 7, 2024

Peter Funch: at the Same Corner

By Peter Funch October 5, 2024

© James and Karla Murray

A Toast to New York’s Legendary Watering Holes

By Miss Rosen October 2, 2024

Eikoh Hosoe, a Pioneer of Japanese Photography, Dies at 91

By Blind Magazine September 30, 2024

Hand-Woven Histories

By Sarah Sense September 29, 2024

Christian Patterson: Going out of Business

By Christian Patterson September 26, 2024

A man listens to a speech by President Petro Poroshenko marking the first anniversary of the Revolution of Dignity on Maidan Nezalezhnosti on February 20, 2015 in Kyiv, Ukraine. February 20th is recognized as the bloodiest day of the revolution, and is used to commemorate the ‘Heavenly Hundred’ who were killed during the uprising. © Pete Kiehart

In Ukraine, of Love and War

By Robert E. Gerhardt September 23, 2024

Walking back to happiness © Maisie Cousins

Images Vevey in the Technological Age

By Sophie Bernard September 23, 2024

Yan Morvan, Experienced French Photojournalist, Dies at 70

By Sabyl Ghoussoub September 21, 2024

Behind the Scenes of Collective Memory

By Howard Greenberg Gallery September 21, 2024

Jan Hendrix: About the World and its Representation

By Jan Hendrix September 20, 2024

Young girls in Manila are seen with their mobile phones during a community blackout. © Hannah Reyes Morales

The End of Democracy in Five Acts

By Robert E. Gerhardt September 18, 2024

Mécanisme de reprise après la pandémie, extrait de la série Covid, 2020-2021 © Grzegorz Przyborek

Discovering Grzegorz Przyborek

By Sophie Bernard September 18, 2024

Avant-Garde: Influencing the Present

By Gitterman Gallery September 15, 2024

Surveillance, Visualized

By Marcus DeSieno September 13, 2024

Kabul, Kabul, Afghanistan, February 8, 2024. A mother is struggling to provide for her children under dire circumstances. One of her sons suffers from a painful skin condition and seizure attacks but cannot be taken to a doctor due to a lack of funds. Her family burns old fabric or clothes from neighbours for heating. She is also afraid of sending her children out to collect materials because the Taliban have detained her 12-year-old son multiple times, believing him to be a beggar: "I walked all the way to Bagh-e-Bala prison and back it was night, and cold. In the prison, they would get water but no food, and he had his boots but no clothes." The family is facing severe financial difficulties, with five months of overdue rent at 1,500 Afghanis per month (19.50 euros). Her husband, who previously worked in a factory, is now unable to work due to a spine injury."Before the change, things were good, I could send my kids on the street to work, they could bring back some money, and my husband was able to work." Despite the hardships, she refuses to send her children to beg for food, although they sometimes collect plastic to burn for warmth. She dreams of a better future for her daughter and wishes she could provide everything her daughter needs, especially medical care for her leg pains. "We have dignity, I don't send my kids to the neighbours to collect food... Even if we don't have food or anything to eat, we sit still and hungry, but we won't go knock on the neighbour's door to get food." © Kiana Hayeri for Fondation Carmignac

An Intimate Look into the Battle for Women’s Rights in Afghanistan

By Blind Magazine September 11, 2024

'89 Tiananmen © Kan Tai Wong

An Insider’s Look at the Tiananmen Square Incidents

By Robert E. Gerhardt September 9, 2024

Cristina de Middel: Reimagining Migration

By Cristina de Middel September 7, 2024

Peggy Nolan: a Different Style of Parenting

By Peggy Nolan September 7, 2024

“Old Glory I” 1920’s American 48 Stars Flag (Infamous), 2019

Andres Serrano: America Beyond Good and Evil

By Guénola Pellen September 6, 2024

Karl Lagerfeld’s Private Dimension

By Thames and Hudson September 3, 2024

Against Power Abuse in Bangladesh: the Red Monsoon

By Turjoy Chowdhury September 1, 2024

Gregory Crewdson, Untitled, From the series:Twilight, 1998-2002. Digital pigment print.The ALBERTINA Museum, Vienna, Permanent loan –Private Collection © Gregory Crewdson

Gregory Crewdson’s First Career Retrospective

By Miss Rosen August 29, 2024

A Photographic Journey Through Sweden’s Dark Past

By Maja Daniels August 26, 2024

Martin Essl: Sinking in Paris

By Martin Essl August 24, 2024

“Lee Miller’s Camera Became a Weapon of Choice”

By Michaël Naulin August 21, 2024

Joao Piña: The Camp of Slow Death

By Joao Piña August 19, 2024

Female political prisoners inside the infamous Evin-Prison in Tehran, 1982 © Manoocher Deghati

Manoocher Deghati: an Eyewitness from the Middle East

By Robert E. Gerhardt August 19, 2024

Living in the Middle of Conflict, Donbass, 2018. © Anastasia Taylor-Lind / Imperial War Museums. (photo of the family with the horse)

Anastasia Taylor-Lind: “The Situation has Changed a Lot in Ukraine”

By Michaël Naulin August 14, 2024

Living on the Edge

By Francesco Anselmi August 13, 2024

The Sound of Money

By Michael Rababy August 10, 2024