NEWS

Martine Ravache: “No two people see alike”

By Jean-baptiste Gauvin February 16, 2020

Ouka Leele: Grabbing Life by The Colors

By Michaël Naulin February 11, 2020

The feverish aesthetics of Claudia Andujar

By Jean-baptiste Gauvin February 9, 2020

Terri Weifenbach: Feathers and twigs

By Coline Olsina February 8, 2020

EDITORIAL – Getting along with images

By Jonas Cuénin February 6, 2020

Remembering Bill Ray

By Bill Shapiro February 5, 2020

Laia Abril: The ingrained evil of “rape culture”

By Michaël Naulin February 5, 2020

Joseph Sterling: A Swarming World

By Jean-baptiste Gauvin January 31, 2020

Pieter Hugo: Live from Mexico

By Laurence Cornet January 23, 2020

Graciela Iturbide’s Captivating Mexico

By Elsa Leydier January 22, 2020

A celebration of LIFE

By Sarah Roberts January 20, 2020

Every photo purchase pays for 400 meals for the poor

By Coline Olsina January 18, 2020

Eliot Porter: Birds large and small

By Jean-baptiste Gauvin January 16, 2020

Gilles Caron: Through the eyes of a photojournalist

By Michaël Naulin January 14, 2020

Camera Clara Award 2019: “A moment of suspension”

By Coline Olsina January 11, 2020

This year’s major photographic events

By Jean-baptiste Gauvin January 8, 2020

The power of images

By Coline Olsina January 7, 2020

Nelly Rau-Häring: Germany from East to West

By Ela Kotkowska January 6, 2020

The Gourmet and the Grotesque

By Sarah Roberts January 3, 2020

EDITORIAL – 2020: the beginnings of a new era

By Blind Magazine January 1, 2020

Prison: from inmates to guards

By Coline Olsina December 28, 2019

The Lianzhou Photo Festival 2019: Kanthy Peng in the shadow of young girls in stone

By Charlotte Jean December 26, 2019

Irving Penn: Traces of passage

By Jean-baptiste Gauvin December 25, 2019

Vintage Christmas!

By Blind Magazine December 24, 2019

Simen Johan: Wilderness stories

By Hugo Fortin December 22, 2019

Tim Walker’s waking dream

By Anastasia Chelini December 21, 2019

Kazimiras Mizgiris: The life of the dunes

By Ela Kotkowska December 18, 2019

Lianzhou Foto Festival 2019: Muge takes us behind the walls

By Charlotte Jean December 18, 2019

The Plaines of America by Joel Sternfeld

By Lise Olsina December 14, 2019

Afghanistan: Photographing a High-risk Country

By Jean-baptiste Gauvin December 13, 2019

The thousand facets of India

By Anne Laurens December 7, 2019

Bolivia: The new superheroes

By Elsa Leydier December 5, 2019

Lianzhou Foto Festival 2019: Jenny Rova turns her former lovers into artists

By Charlotte Jean December 4, 2019

INSIDE THE FRAME – In the gold and the mud

By Jean-baptiste Gauvin December 3, 2019

Chaumont-Photo-sur-Loire 2019: The desert at night and turbulent waters

By Jean-baptiste Gauvin November 29, 2019

Lianzhou Foto Festival 2019: Chen Ronghui’s millennials in the snow

By Charlotte Jean November 27, 2019

Lorenzo Vitturi: the gleaning photographer

By Sophie Puig November 24, 2019

Valérie Belin’s precious reflections

By Sarah Roberts November 21, 2019

The new Peruvian photography scene

By Elsa Leydier November 19, 2019

World Press Photo 2019: from the migration crisis to environmental challenges

By Jean-baptiste Gauvin November 19, 2019

From the Sea to the Orchard: New Photography from Zhang Xiao

By Holly Roussell November 17, 2019

Laura Letinsky: Paper, Scissors, and Still Life

By Hugo Fortin November 16, 2019

The Planche(s) contact festival 2019 : Youth, zebra, and seashell

By Jean-baptiste Gauvin November 15, 2019

Prix Pictet 2019 : embroidering hope

By Coline Olsina November 14, 2019

Foto/Industria 2019: A survey of industrial photography

By Anne Laurens November 14, 2019

Paris Photo 2019: This year’s edition at a glance

By Jean-baptiste Gauvin November 11, 2019

Paris Photo 2019: Mari Katayama in all her glory

By Coline Olsina November 10, 2019

A ppr oc he 2019: A photographic explosion

By Coline Olsina November 9, 2019

Paris Photo 2019: Lennart Nilsson’s eulogy

By Jean-baptiste Gauvin November 8, 2019

Paris Photo 2019: “The ability to cope, to remain true to oneself…” by Nicola Lo Calzo

By Jean-baptiste Gauvin November 8, 2019

Paris Photo 2019: What should you see this year?

By Coline Olsina November 6, 2019

Peter Hujar: Multiplying connections

By Jean-baptiste Gauvin November 4, 2019

A Morocco suspended in time

By Anne Laurens October 30, 2019

The W. Eugene Smith Grant awarded to Yael Martinez

By Jonas Cuénin October 18, 2019

The 2019 Eugene Smith Grant: The pangs of hunger

By Jean-baptiste Gauvin October 17, 2019

The Photaumnales photography festival: when Planet Earth weeps

By Jean-baptiste Gauvin October 17, 2019

The 2019 Eugene Smith Grant: A tiny room

By Coline Olsina October 16, 2019

Joel Meyerowitz at the Beach

By Bill Shapiro October 16, 2019

The 2019 Eugene Smith Grant: A new desert in Iran

By Jean-baptiste Gauvin October 15, 2019

The 2019 Eugene Smith Grant: Deadly mines

By Coline Olsina October 14, 2019